【Interview】Worldwide known Japanese psychedelic band Kikagaku Moyo talk about their formation all the way up to their current release
Kigaku Moyo are a Japanese psychedelic band well-known throughout America and Europe, and who are becoming the talk of the town even in Japan.
The band formed in 2012. They released their self-titled album in 2013 from the Greek record label “Cosmic Eye Records/Sound Effect Records”. From there, they began to gain attention throughout America and Europe, and subsequently released their EP “Mannatus Clouds” on April 2014 from “Captcha Records” in America and from “Cardinal Fuzz” in the UK. The guys are currently travelling the world with their music. They are playing a gargantuan number of venues with their acid and sitar melody music, from an America tour to a UK tour, and even more at festivals around the world.
Interview : Go Kurosawa（Kikagaku Moyo）
We wanted to make a band that didn’t make much sense, so we spoke to mysterious people
I would like to ask everything about your band “Kikagaku Moyo”, right from the very beginning until now. First, please tell us about how you got together, and how you met each other.
I was already living overseas from the beginning. I returned to Japan in 2011 and met Tomo (Vocal/Guitar) when I was skateboarding in my home town. He said “I’m going to America”, and I’d already had the experience of living there so we ended up talking about a variety of things. That was the start of our friendship. Tomo ended up going to America after that, and we contacted each other once in a while. I met up with him two years later when he returned to Japan, and he said we should try going into the studio together, so I gave it a go. We both loved music after all.
So it was all quite light-hearted?
Yeah, it was. When we entered the studio, he couldn’t play the guitar at all. But it all felt like it was about to becoming really interesting, and I wanted to play the drums.
Did you know what kind of band you wanted to become at that time?
I wanted to make a band that didn’t make much sense. Gather some members: dancers, artists, foreigners, and put them in the band. Even if they had no skill it was fine, I wanted them to do what they loved. So we looked for people other than the two of us, and we started by asking people who looked mysterious around university. There was a guy on campus who would record the sound of the vending machines. We thought we had to have him, so we introduced ourselves. He’s our bassist, Guy. We asked him “Are you in a band?” He said that he was writing solo music and could play the bass. There was also a foreign girl at the time called Angie who joined as a vocalist when we started doing live shows.
So it was the four of you at the beginning, right?
During the same time, Tomo said he had found another interesting person. They were working at the theatre museum, an Arab looking guy who was rolling tobacco at the smoking area. He’s our guitarist, Daoud, and we invited him to our live show. He had a strong appearance and seemed like an interesting guy, so after we finished the performance we asked him if he wanted to join us, to which he responded, “sure”. I then remembered that my brother Ryu (Sitar/Keyboard) played the sitar, so I invited him too.
So with that, you had all members in place. But for a short while, you had a female main vocalist, didn’t you?
That’s the way we did it then, but when we went to do recording Angie didn’t turn up on the day. We thought that it couldn’t be helped so Tomo did the vocals instead, and that’s the set-up we’ve had ever since.
And with that, the band’s course of direction was finally decided?
Everyone’s taste in music was completely different; I’d never thought I would be aiming for a band like this. Tomo returned to America and was listening to heavy music which was popular at the time, Guy only listened to folk music, and I listened to a lot of psychedelic music from the 60s. I listened to bands like The Incredible String Band. That’s the kind of thing I had In mind.
What was your first recording like?
We weren’t aiming for release at the start, we just wanted to make some demos and so went ahead with recording those. My friend who helped with the recording at the time said “Why not try doing everything in one take? It doesn’t matter if you make mistakes”. So we really recorded everything in one take, and that become our 1st recording. We did live shows before and after the recording, so we were a bit all over the place which is something I really like about it. You can really feel it from the recording – that it’s left the way it is. You can hear the energy of us from that time, and the feel of the song really shines through because of its low quality.
Were you able to make a kind of pivot for the band with that recording?
We were. It was a really bad recording, but it became something to aim for at that time. We’ve come a long way in a short amount of time, but when we finished that recording, we put it up on Bandcamp, and we were contacted all of a sudden by a label in Greece. We didn’t know why, but it turned out that it was to be released. While that was going on, we started making our overseas blog, from which we received contact from an Australian band who wanted to tour with us. And before we knew it, we were to perform an overseas tour. I think it was in September 2013.
Tree Smoke（1st Album『Kikagaku Moyo』）
Had you performed in Japan a lot at that time?
We had performed in Japan, but we started to feel doubts about the live house’s quota… We couldn’t agree with the amount of money we had to spend to perform live. To put it another way, we didn’t feel the tension to need to pay money in order to perform live. We wanted to change that system, so we contacted live houses one after the other who didn’t have such quotas, and that’s when we found The Ruby Room in Shibuya. That’s when we became associated with “Austin Psych Fest” and started an event called “TOKYO PSYCH FEST”. We had said before that we wanted to appear at “Austin Psych Fest”. The name of the event has festival in it, and we thought we’d like to do it every month. Bands that thought we were good would call on us. For example, Japanese bands such as BOMBORI would call on us, and overseas bands would do so too. A lot of bands appear at this festival, so we thought we’d like to start our own label which we called “Guruguru Brain”, a label managed by ourselves.
Overseas reaction to the first overseas tour, and onto Austin
What was your first overseas tour like in September 2013?
We were called to Australia for the time being, so we headed there. We were invited by Dreamtime, a psychedelic band from Brisbane, to play in Australia for 10 days starting in Melbourne and heading out to 7 or 8 other cities. Since it was our first time performing there, we were nervous and wondered how it would go, but surprisingly the response was very good, and that become a source of self-confidence for us, so much so that we felt that our performances become increasingly better and better. Rather than calling it a musical performance, I feel that we learned about our own energy and the way in which we want to display our band, as well as our on-stage behavior. We also never decide the set-list until just before the performance, and that’s something we still do to this day. We aim for the show to develop from our jam, and we perform within that atmosphere. The band’s direction was solidified with that tour.
You began on your 2nd recording when you returned from the tour, correct?
We did. Even more so, all the band members started living together as a result. It felt like we were on tour every day. Things like that started to happening, and the band’s course of action was decided thanks to the Australia tour. Our 1st recording feels like a kind of “impetus” for our sound, but our 2nd recording was made with ideas that each member had been waiting to put into the sound. Furthermore, we were contacted around the same time by “Austin Psych Fest” which we had been aiming for, and we started work on our 2nd recording.
Kodama（2nd Album『Forest of Lost Children』）
What was it like to be part of “Austin Psych Fest”, something you had your eyes set on?
Before Austin, we also played at a psychedelic festival in L.A. called “Desert Daze” which is located in a desert. There, we we included our 2nd recording to play to a crowd who didn’t have that much interest in us, and we also wondered what kind of performance we should do. We also experienced touring a lot of America in a van. I feel that we were able to become stronger as a band because of those things. When we played Australia, I did feel that we finished without really knowing anything, but because we were able to do things such as stand on stage at “Austin Psych Fest”, something we had our eyes set on, as well as being able to play at a number of festival and watch and meet a variety of artists, our professional mindset was born. Another happy thing that happened is something we heard from the staff at “Austin Psych Fest”. It seems that our record and t-shirts sold the most out of everyone over the 3-days. Not only that, but people came to hold an interest us after seeing us live just once. I felt a sense of accomplishment that we had come that far. From there, we performed in different countries at a plethora of locations with our 2014 UK tour and 2015 European tour. All of this has made “Kikagaku Moyo” what it is today.
Live in Copenhagen, May 28th, 2015
Your 3rd album “HOUSE IN THE TALL GRASS” was released from Guruguru Brain this year on May 13th. What kind of record is it?
While touring around the world and listening to all sorts of different music, we came to feel that our recent records don’t have the feeling of an album, so we wanted to make a conceptual album. Until now, we were making music where the concepts would just kind of come to us, but with the new album we wanted to be clear and precise with how we record the sound.
What kind of sound is it?
The music that each of us listens to has changed a little since the beginning. I’ve started to listen a lot to things like soundtracks more than psychedelic stuff. When people ask me why I’ve come to like that kind of music, I tell them “The scene is painted in your mind when you listen to the sounds”. I think us having toured around the world in all different kinds of places has had an influence too, but I came to think that we could try making the sights we have seen into sounds.
Can you give us an example of the kind of place or scenery you are talking about?
Places we went to on tour such as Northern Europe and Iceland. We tried to put the image of those places into our music. The members all went to the same places and saw different kinds of scenery, and we saw the same movies, so we tried making something while talking to each other about those things. We’ve never really made something that has come from our own language, we normally make our material by focusing a lot on visuals and images. But for this album, we decided to go ahead with it. All of those things are condensed into this one album, so I would be very happy if people could listen to it. All of the songs are currently streaming online.
We have had a nice long interview. To wrap up, please tell us about your future plans.
We will be touring Europe starting in May before we head over to the US to tour. We have quite a rigourous schedule, but we always have a lot of fun doing it. Once the album is released we will be heading on tour, and we’ve also been invited to Paris Fashion Week, so we’ll be able to experience new things we haven’t until now.
How about your activities in Japan? Will you be performing at any festivals?
The places we’ve been called to recently have been overseas so we will be focusing on those for now, but that doesn’t mean we’ll only be playing outside Japan. I’d like to do a lot more in Japan too. I want us to play at festivals in Japan and see how we will be received there. It’s a lot more nerve-wracking than playing overseas… Other than that, we’d also like to collaborate with different Japanese artists. Not just in music, but videos, fashion, photography etc. too.
INFORMATION:
EUROPE SUMMER 2016
『HOUSE IN THE TALL GRASS』（発売中）
http://gurugurubrain.bandcamp.com/album/house-in-the-tall-grass
Twitter: https://twitter.com/kikagaku_moyo?lang=ja
Facebook: https://www.facebook.com/kikagakumoyo
Tumblr: http://kikagakumoyo.tumblr.com/
Bandcamp: https://geometricpatterns.bandcamp.com/music
Interview by Shotaro Tsuda
Text & Contributor by Qetic
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Chogakusei
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Official Site: https://chogakusei.com
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Suzuka Chinzei
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Information
FRUITS ZIPPER
Twitter: https://twitter.com/fruits_zipper
Instagram: https://instagram.com/fruits_zipper
YouTube: https://youtube.com/channel/UCW8Q9LBGGBgK6a-u0C0h95A
TikTok: https://vt.tiktok.com/ZSen7dJAT/
Facebook: https://www.facebook.com/FRUITSZIPPER
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Instagram: https://www.instagram.com/dtdq2828/
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YouTube: https://www.youtube.com/channel/UCnyOak5Hd4WG0oLECz6L0Og
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A while back in Report #12, we chatted with Karen Matsumoto, Yui Sakurai, and Luna Nakagawa about their makeup routine and tips. This time, we’re asking Noel Hayase, Suzuka Chinzei, Mana Manaka, and Amane Tsukiashi to share their thoughts on makeup!
Tell us about your favorite lipsticks and what makes them special!
－Noel Hayase
When I do my own makeup, I use b idol’s Glossy Lip No. 08 and then layer PERIPERA’s G Tint No. 06 on the inside. I’ve tried so many b idol lipsticks and I finally found one that matches my skin color perfectly. The tinted one was a gift but I love applying it on the inside of my lips–it gives this neat blood-colored look. It also doesn’t fade which is awesome.
－Suzuka Chinzei
I like THREE Lyrical Lipstick Bloom 11 RUN FREE.
The texture is soft, the color doesn’t fade, and the color is really cute. When I found it, I was so thrilled–it was the exact color I was looking for. Seriously, it’s the best lipstick! It’s honestly all I use in fall and winter♡
－Mana Manaka
Jill Stuart’s lip oil!
We call the people who support us Soragumi, and some of them gave us these gifts along with letters and flowers after our first solo concert. We were so happy☁️
I love the colors and the cloth wrapping, but I feel like it would be such a waste if I ran out so I only carry them as good luck charms. (Laugh)
－Amane Tsukiashi
DIOR ADDICT 524 DIORETTE
DIOR ADDICT Maximizer 103 Pure Gold (This one was a gift🙇♂️)
04 rom&nd Dewiful Water Tint
I have so many favorite lipsticks, but lately I’ve been into layering this shimmery gold maximizer with brown, orange, red, and darker lip shades. It’s really cute!🤍
What do you use for your foundation?
－Noel Hayase
I don’t put a lot on my skin, but I do apply a makeup primer called UV Idea XL Protection Tone-Up by La Roche-Posay first. After that, I use Dior Skin Forever Skin Correct Concealer to hide dark circles and redness. That’s all!
－Suzuka Chinzei
I moisturize with VT’s CICA cream. Depending on the weather, I’ll apply Chant a Charm sunscreen followed by The Skin Minimalist by Decorte. I put on powder last. I use CANMAKE’s Secret Beauty Powder or Elegance’s La Poudre Haute Nuance. No foundation for me!
－Mana Manaka
These were also gifts, but I use Lunasol sunscreen, Dior primer, and foundation!
The bottle is really beautiful, with the engraving…❤️
I ran out of powder when I was in Thailand recently, so I’m just using what I bought locally!
I don’t know if it’s because it’s makeup from a really hot country, but it goes on so smoothly that it doesn’t feel sticky at all, even with a mask on. I’ve been using it even after I got back to Japan!
－Amane Tsukiashi
CHANEL Base Hydra Luminere
(I might upgrade.)
CHANEL Fluid Foundation de CHANEL B10
Dior Forever Skin Correct Concealer 0N
SUQQU Oil Rich Glow Loose Powder
clé de peau BEAUTÉ LE REHAUSSEUR D’ÉCLAT 105 (This was a gift! 🙇♂️)
What do you typically do when it comes to skincare?
－Noel Hayase
First, I use &honey cleansing balm to remove my makeup. When I heard that you could cleanse and wash your face at the same time, I gave it a try and it was amazing, so I’m never going back. After my bath and before putting on my makeup, I use a complete skin care set like La Roche-Posay’s skincare set, which includes mist lotion, toner, and skin cream. It’s not cheap, but since I started using it my skin feels so incredible. Remember to always buy products depending on what kind of skin you have!
－Suzuka Chinzei
Before makeup in the morning, I always cleanse with Bioderma. If I don’t feel moisturized enough, I apply a lotion emulsion. After cleansing at night, I use Bioderma again and then a toner emulsion. Sometimes I like doing face masks, and when I do, I use Mediplorer’s CO2 Sheet Mask. It was recommended to me by someone with really beautiful skin and it’s amazing. I also use a Cell Cure. It’s crazy after how much dirt it removes. (Laugh)
－Mana Manaka
I use lotion, then a face mask, then a serum!
When I used the MediHeal mask that Luna recommended, I was so surprised at how good it was that I started buying and trying tons of different masks.
I’m trying different things to see what fits and what doesn’t, and lately I’ve been buying a lot of Korean masks.
－Amane Tsukiashi
I haven’t been doing much skincare, but I have been moisturizing a lot lately since my skin gets super dry. On some days I’ll do a face mask and use steam. On the day before an important photo shoot, I use my favorite CellCure 4t Plus.
Oh no! You’re running late! You only have time to apply one product! What part of your face will you focus on and why?
－Noel Hayase
I’d only do eye makeup. In this day and age, everyone wears masks, so when you meet someone, you always make eye contact, right? Besides, if it’s just eye makeup, I can get by without base makeup, and I can do the rest of my makeup whenever. (Laugh)
－Suzuka Chinzei
I just need sunscreen!
Sunscreen is life. It’s so important!
Starting when I was in junior high, my parents told me to wear sunscreen, so I can’t imagine not doing it now. No matter how busy I am, I put on sunscreen, even while walking to the station.
I was on the track team in junior high and I’d put some on every 30 minutes.
At the time I thought it was so annoying, but now I’m so glad my mom told me to do it.
(Strangely enough, my mom doesn’t wear sunscreen at all.)
－Mana Manaka
On days when I actually have a whole day off or if I’m just at rehearsal, I don’t wear makeup. I hide behind a mask and a hat! (Laugh)
If I use anything at all, it’s sunscreen or foundation with sunscreen in it.
It covers my eyebrows and eyes so much that I can’t see at all, but I do want to prevent spots!!! (Laugh)
－Amane Tsukiashi
Eyes!
I always think that wearing eye makeup makes a huge difference.
I’d want to do my eyebrows too, but at least I can hide them with my bangs. Eyes it is!
Information
FRUITS ZIPPER
Twitter: https://twitter.com/fruits_zipper
Instagram: https://instagram.com/fruits_zipper
YouTube: https://youtube.com/channel/UCW8Q9LBGGBgK6a-u0C0h95A
TikTok: https://vt.tiktok.com/ZSen7dJAT/
Facebook: https://www.facebook.com/FRUITSZIPPER
Amane Tsukiashi
Twitter
https://twitter.com/amane_fz1026
Instagram
https://www.instagram.com/am1026_official/
TikTok
https://www.tiktok.com/@am1026_official
Youtube
https://www.youtube.com/channel/UCYH_GZdDHYrrh_8iQOi4P0g
Suzuka Chinzei
Twitter
https://twitter.com/suzuka_fz1124
Instagram
https://www.instagram.com/tarasuzuka24/
TikTok
https://www.tiktok.com/@oooooossssss24
Youtube
https://www.youtube.com/channel/UC0XgLUbhD1Wdj_hgknrDo7A
Mana Manaka
Twitter
https://twitter.com/manafy_fz0422
Instagram
https://www.instagram.com/manafy_baby/
TikTok
https://www.tiktok.com/@manafy_fz0422
Noel Hayase
Twitter
https://twitter.com/noel_fz1229
Instagram
https://www.instagram.com/noel_hayase/
TikTok
https://www.tiktok.com/@hysnl1229
Youtube
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“Japan is such an interesting country, where so many cultures blend and evolve.”
Moshi Moshi Nippon is dedicated to sharing Japanese pop culture with audiences around the world. Recently, we launched a new interview series with foreign influencers active in Japan, and for the third edition, we’re chatting with Zhu Zhu! A popular influencer with over 2 million followers on Weibo, Zhu Zhu claims that since coming to Japan, her fashion has become ‘softer.’ We sat down to ask her what kind of Kawaii she’s found in Japan.
Q. Why did you first come to Japan?
“In 2013, I moved to Japan with my family because Beijing’s air pollution had become really bad. It’s already been nine years!”
Zhu Zhu when she first came to Japan
Q. When you first arrived in Japan, what surprised you?
“When I first came to Japan, what really surprised me was the wide use of the word ‘kawaii.’ It’s so interesting that literally anything can be called kawaii. Sure, it makes sense to call girls, animals, or clothes cute, but in Japan, people call things cute that people in other countries would never refer to in that way. I mean, I think calling things ‘cute’ when you mean ‘good’ is something really commonplace here. (laugh)”
Q. Tell us what you find the most Kawaii in Japan!
“There are so many cute things in Japan, but I think that the sweets take the cake. I was surprised by how small they are unlike in other countries. And there are so many kinds! Cakes, baked goods, wagashi, they’re all so incredibly kawaii!”
Q. How did your encounter with Kawaii culture in Japan change you?
“Since I first came into contact with the Japanese version of kawaii, I think my style has become softer. When I was overseas, I typically just worse really simple outfits and makeup, but now, I’m always conscious of looking girly and cute.”
Q.In Japan, what are you interested in right now? Where do you want to visit in the future?
“I recently read an article about Yufuin Floral Village, which is England-inspired. It looks so cute and I really want to go!”
Q. Do you have anything to say to our readers who want to visit Japan in the future?
“Japan is such an interesting country, where so many cultures blend and evolve. No matter how many times you visit, you can always find something new. Please visit!”
Zhu Zhu Profile
An influencer from China with 2 million followers on Weibo. Nicknamed “Big Cousin” on social media, she has been a favorite of many Japanese brands for years. Since moving to Japan, Zhu Zhu has actively shared fashion, beauty, travel, and food posts on social media. In addition to appearing on TV and in magazines, she has collaborated with a number of major Japanese apparel and cosmetics companies.
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FRUITS ZIPPER, a new idol group from ASOBISYSTEM’s KAWAII LAB project, has a simple concept: “From Harajuku to the World.”
This summer, the group’s track Watashino Ichiban Kawaiitokoro took off on TikTok with the music video racking up over 500 million plays, propelling the girls into the idol spotlight. Along with regular monthly performances, tickets for the girl’s first solo concert in September and their second solo concert in November were sold out immediately. FRUITS ZIPPER is scheduled to go on tour in Tokyo, Nagoya, and Osaka in February 2023, and even the fashion industry has become obsessed, with the group serving as the seasonal ambassadors for Samantha Vega starting in August 2022.
Only six months after its debut, the members of FRUITS ZIPPER are already taking their first steps outside of Harajuku. Their first overseas trip was to Thailand, called the land of smiles.
FRUITS ZIPPER performed as one of more than 50 artists representing Thailand and Japan at the THAI-JAPAN ICONIC MUSIC FEST 2022 from October 21 to October 23. The music festival was held to commemorate the 135th anniversary of diplomatic relations between Thailand and Japan.
Four different stages were set up during the event, and FRUITS ZIPPER managed to attract fans not only from Japan, but from Thailand, Malaysia, Hong Kong, Myanmar, the Philippines, and other Asian countries. Many guests even knew the choreography to a number of FRUITS ZIPPER songs, including, of course, Watashino Ichiban Kawaiitokoro. The audience was thrilled when the members addressed them in Thai, and a collaboration interview video shot with local idols was also taken. It’s now available on FRUITS ZIPPER’s TikTok channel, so check it out!
We sat down with the seven members of FRUITS ZIPPER to hear about their best memories from Thailand!
-How did you feel about your first overseas trip to Thailand?
Noel Hayase
“It was our first time performing in Thailand. Not many people knew who we were and we were far away from home, but people welcomed us with open arms. So many people came to watch us, and I was happy to see the audience dancing along to the songs!”
Yui Sakurai
“When I became an idol two years ago, Thai fans really supported me. Back then, I told them I’d love to come to see them, but I never got the chance.
I’m happy that I was about to finally achieve that goal, or my dream, I guess, of going to Thailand to meet all of those fans. There were so many more people waiting for me than I could have imagined, and even though we couldn’t communicate very well with the language barrier, we could easily communicate through music. I was so happy.”Karen Matsumoto
“So many non-Japanese fans came out to support us! Even though they didn’t speak Japanese, they did their best to tell us they were rooting for us, and that they loved us. I was so happy, I can’t wait to go back!”
Mana Manaka
“This was my first visit to Thailand, and part of me felt a little uneasy since everything felt so different when compared to live shows in Japan. I was allowed to take pictures and to really use my voice, and the stage configuration was really confusing. But everyone in Thailand was super welcoming and kind, and I was so happy to see them trying to learn Japanese. They’d listen to me talk and nod, looking me in the eyes, even if they didn’t understand what I was saying. It was a wonderful trip that reminded me how excited I am to travel abroad. I hope I can see everyone in Thailand again, thank you so much!”
Luna Nakagawa
“Even though I’ve been an idol for a while, this was my first trip overseas. Going to Thailand had always been a dream of mine, but at the same time, I was nervous. I didn’t know what kind of fans I’d find there, or if there would be any fans at all. But the Thai people were so unbelievably kind.
During our performance, a girl held up a board that said ‘Lunapi’ and waved a purple penlight. She shouted that she was looking so forward to meeting me, and it made me so happy.We started to share information with the Thai people after our performance was decided, but it seemed that they had known about us before that. I felt that so many people had been excited about coming to see us, and now I just want to go to Thailand again to see everyone a second time. Kob kun kaa!”
Amane Tsukiashi
“This was the first time I had visited Thailand, and I thought it was so beautiful. Seeing ICONSIAM was unbelievable–the biggest building I’d ever seen! I was so happy to see the fans, and so many told me that they had been waiting to meet us. Thank you so much.”
Suzuka Chinzei
“Before going to Thailand, I wondered how many local people knew about FRUITS ZIPPER and how many would actually come to see us. When we actually took the stage on the first day, there were so many Thai people, and Japanese people too! Since I was able to use my voice to the fullest in Thailand, I was thrilled when the audience could sing along with the ‘Ne, ne, ne’ part in Watashino Ichiban Kawaiitokoro! This live show was so unique to Thailand, and it felt so much freer than live shows are in Japan right now with all the restrictions. Since there was a language barrier, I wanted to put all of my feelings and emotions into my performance. I felt like I could communicate with the audience with my eyes, and those three days of performances were so unforgettable. We’ll be back and we’ll be even stronger, so wait for us until then! Kob kun kaa!”
FRUITS ZIPPER is on course to become a smash hit not only in Japan, but around the world.
Information
FRUITS ZIPPER
Twitter: @fruits_zipper
Instagram: @fruits_zipper
YouTube: FRUITS ZIPPER
TikTok: @fruits_zipper
Facebook: FRUITS ZIPPERKAWAII LAB.
Twitter: @kawaii__lab
YouTube: KAWAII LAB. -
Interview: Shakuhachi Player Yoshimi Tsujimoto Discusses Her Craft and the Upcoming Concert at Kumano-Nachi Taisha
Each year, an incredible event is held at Kumano-Nachi Taisha, a Shinto shrine and World Heritage Site located in the Kii Mountain Range of Wakayama Prefecture.
To kick off the ‘diamond celebration,’ a special concert will mark the 1,250th anniversary of the birth of Kobo Daishi, the Japanese Buddhist monk who founded the Shingon school of Buddhism. Yoshimi Tsujimoto, a shakuhachi player from Hashimoto, will perform in the concert scheduled to begin on October 22 at 13:30.
Moshi Moshi Nippon sat down with Yoshimi Tsujimoto to discuss her music and, most importantly, her interest in sharing the sound of the shakuhachi with the world.
−How did you become interested in the shakuhachi?
My father loved the shakuhachi, and because of that, I grew up surrounded by the sound of it. That’s how it all began!
−What attracts you to playing the shakuhachi?
I love the timbre of the shakuhachi.
Those who play the shakuhachi often say that a single note has the power to bring someone to enlightenment.
Curiously, individual differences in tone are more easily discernible with the shakuhachi than with other instruments. That means that a person can express themselves in more unique ways.
−You’ve performed in many different countries. Do you get different reactions to the shakuhachi in other countries when compared to Japanese audiences?
I have a vivid memory of a time I performed a classical shakuhachi piece solo. This particular type of classical music is called ‘wabi-sabi,’ and it isn’t very loud or lively.
In Japan, when I finish a performance, people usually clap. But when I performed in South America, as soon as the piece concluded, there was a standing ovation with people shouting “Bravo!” That would never happen in Japan, and it left such a lasting impression on me.
−Are there any countries that have left a lasting impression on you, or that you would like to visit in the future?
I have good memories of every country I’ve visited, but I think that Cuba left the biggest impression. I just made me think about how incredible music can be.
I’d love to visit Bulgaria, Morocco, Armenia, Uganda…it’s tough, because I want to visit every country I haven’t been to yet. (laughs)
−You’re from Hashimoto City, near Mount Koya. How did you feel when you heard that this concert would be held so close to your hometown?
What I felt was pure joy.
Personally, I’ve always loved Mount Koya, and I went there many times as a child. It’s such a pleasure to be able to perform there.
−Tell us some of your favorite memories involving Mount Koya.
I go to Mount Koya at least three or four times a year. It’s not a particular memory per se, but every time I go, I love to eat vegetarian food, explore, and buy wheat buns and sesame tofu as gifts to take home.
−Are there any local foods or places that you’d recommend?
The fruit is delicious in Wakayama, and my hometown is famous for persimmons.They are so yummy, and I just want everyone to try them!
Mount Koya and Kumano Kodo are both World Heritage sites, and they are both absolutely breathtaking. Other than those, I’d recommend Adventure World! It has adorable pandas roaming around freely and the most wonderful dolphin shows. Everyone from around the country should visit!
−Finally, do you have a message for Moshi Moshi Nippon readers?
Japan is filled with incredible places and culture. The shakuhachi, a beloved traditional Japanese instrument, is one piece of that culture.
I want audiences around the world to hear the sound of the shakuhachi and to make it more familiar. If you have a chance to hear it, I hope you will.
Be sure to follow Yoshimi Tsujimoto’s activities going forward as she shares the beauty and culture of shakuhachi with the world.
Information
Concert at World Heritage Site Kumano-Nachi Taisha (Wakayama)
Date: October 22, 2022 at 13:30
Venue: Danjo-garan Buddhist Temple
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“Kawaii is marshmallow-flavored medicine for the soul.”
Moshi Moshi Nippon is dedicated to sharing Japanese pop culture with audiences around the world, and today, we’re featuring a foreign influencer living and working in Japan! This time, we interviewed Etsuna, a popular influencer from China, discussing how Yume Kawaii fashion brings her comfort and the many types of ‘kawaii’ she’s found during her time in Japan.
Q. What brought you to Japan?
“After graduating with a major in animation, I was working at a university in Shanghai as a teacher, but I decided to enroll in Tama Art University’s graduate program to study for my master’s degree. That’s when I came to Japan, and I’ve been here for 15 years!”
Q. When you first came to Japan, what surprised you? Was anything different than what you had imagined?
“Everyone wore such bold makeup, and that really surprised me! When I first came to Japan 15 years ago, I think the gyaru trend was still big, and a lot of girls had that strong Harajuku style and big personalities. Heavy eye makeup and blush was the big thing. I thought everyone was getting ready to film for a TV show.”
Q. What do you think of when you heard the word ‘kawaii’ in Japan?
“MOSHI MOSHI ROOMS, character cafes, and Yume Kawaii fashion…they are all so unique and so adorable! Those things are what I think of when I hear the word ‘kawaii.’”
Q. Did finding Japanese kawaii culture change you in any way?
“Before I experienced kawaii culture, I was a teacher, so I wore a lot of black, white, and gray every day. But after encountering kawaii style for the first time, I started experimenting with different kawaii subcultures, like the Mori Girl trend back in the mid-2000s. Eventually, I fell in love with Yume Kawaii (Dreamy Kawaii) fashion, which is filled with pastels and a fantasy-like aesthetic. I’ve been dressing in that particular style for about ten years now. To me, kawaii is like marshmallow-flavored medicine for the soul. It’s very healing.”
Q. When it comes to Japan, what interests you now? Where would you like to visit in the future?
“Today, it feels like Japanese fashion is becoming more and more simple, and the Harajuku kawaii trend is starting to disappear. Is that because people don’t like standing out in that over-the-top way? Do they feel embarrassed if they dress differently than most people? I’ve met a lot of people who love Yume Kawaii fashion, but they might not have the courage to wear it themselves. That’s why I’m currently researching how to bring Yume Kawaii to AR. If I can bring it to the virtual world in a way that blends with the real world, I can create a brand-new experience for everyone. Using mobile AR technology, people will be able to transform their everyday clothes into something with more Yume Kawaii style!”
Etsuna’s Original Yume Kawaii AR Filter
Q. Please give a few words to those living abroad who are interested in visiting Japan!
If you really want to experience Japanese kawaii culture, stay at MOSHI MOSHI ROOMS in Harajuku! There are so many fashionable people in Tokyo too, and if you hang out near Harajuku Laforet on the weekend, you’ll see people taking plenty of pictures. Come have a special trip to Japan and surround yourself with all things kawaii! Have fun!”
Information
PROFILE
Etsuna
Born in China, Etsuna is a graduate of Tama Art University in Tokyo. In addition to sharing kawaii culture on her social media accounts, she founded her independent brand ‘Etsuna otsukA’ in 2011, which has been featured in a number of magazines. Her Weibo video channel TokyoGoGo, featuring uploads edited by Etsuna herself, has become incredibly popular. She is currently active as a designer and TV personality, mainly in Japan and China.
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In a new interview posted to YouTube, Yuichiro Hayashi, the director of Attack on Titan The Final Season, and Yusuke Tannawa, the CG Producer and Screen Designer for the show, are discussing the series’ incredible success. Both creators also chat about the struggles they’ve faced during production, their relationship with the original manga creator Hajime Isayama, and much more.
Attack on Titan The Final Season Part 2 – Yuichiro Hayashi (Director) × Yusuke Tannawa (CG Producer, Screen Design) Special Interview
Attack on Titan Final Season Part 2 is currently airing on NHK General each Sunday at 24:05. It is also available to stream on dTV, d Anime Store, GYAO!, Netflix, TELASA, Hikari TV, and Amazon Prime Video.
©諫山創・講談社／「進撃の巨人」The Final Season製作委員会
Information
Attack on Titan The Final Season Part 2
Now Airing
Airing on NHK General Sundays at 24:05
Streaming on dTV, d Anime Store, GYAO!, Netflix, TELASA, Hikari TV, and Amazon Prime Video
Official Site: https://shingeki.tv/final/
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Cosmetics brand KOSE has announced that popular girl group NiziU will act as brand ambassadors for a new collection of Visée eyeshadow, Glossy Rich Eyes N.
Visée Glossy Rich Eyes N – Available in 8 shades + 2 limited edition shades
Photo Shoot
「Visée AVANT」Limited Edition Seasonal Visual with MAYUKA＆NINA
The theme for this year’s campaign was ‘Find the Color Just for You.’ By trying all possible shades, even those which seem out of the consumers comfort zone, they will absolutely find the perfect color. For this photo shoot, NiziU applied makeup inspired by their respective member colors, showing off their individuality.
A special web movie and visual for Glossy Eyes Rich N featuring the NiziU girls is available on the special product website and through the official social media channels. The eyeshadows will be available at drugstores and other retailers, as well as online, beginning September 16. Members Mayuka and Nina will also appear in limited season ads for Visée AVANT.
An original movie featuring all members is also available to view on the official TikTok brand account and the Glossy Rich Eyes N special product website.
Interview with NiziU
Q1. Visée has partnered with a number of women before, each symbolizing the current era. What are your thoughts on being chosen as brand ambassadors for Visée now?
Mako: I’m turning 20 this year, and I’ve really wanted to show a different side of myself now that I won’t be a teenager anymore. I was so happy when I was chosen for this project, since it gave me the perfect chance to do just that!
Maya: We’re so incredibly honored to be chosen as ambassadors for Visée! I use their products regularly, but there are so many different colors of product available. I think this will inspire people to make use of colors they may not use often, and to try new things!
Q2. How did you feel after shooting wrapped?
Ayaka: It felt like something totally different than what NiziU has tackled in the past. I typically wear more cutesy makeup, but this time I tried to show something more mature. It was refreshing. It was a blast getting close-up shots taken of my eye makeup!
Q3. The theme for this year’s campaign is ‘Find the Color Just for You.’ It calls on people to find a color that best matches their personality. After the first ad shoot, what were your impressions of your fellow members’ new makeup looks?
Riku: Maya was the one getting her pictures taken first, and she looked so gorgeous that Ayaka and I couldn’t stop staring at her! Honestly, we were staring at her so much that when she finally looked over at us, she did that typical Maya smile, and it was like we fell in love with her. (laugh)
Q4. This year’s visuals are impressive, with the NiziU members showing off very different expressions than usual. Is there anything you refer to or try to do personally, to find new facial expressions?
Mayuka: It can be really difficult, but I find it useful to look at photos of some of the more senior members and practice copying their expressions.
Q5. Again, this year’s theme is ‘Find the Color Just for You.’ Each of the nine members of NiziU have their own distinct personalities, so with that in mind, what do you think makes you stand out as an individual?Rima: For me, it’s my different worldview. It allows me to converse in a very unique way, and to really adjust how I carry myself depending on the location. My member color is red, which also has many meanings: it can be powerful, or mature, or energetic, or mischievous. I’m like a chameleon. I hold many different personalities that I can switch to at the drop of a hat.
Q6. As a member of NiziU, you’ve had many different and unique experiences. Have you found any unexpected sides of yourself during your time as a member?Rio: I used to think I was one of the cool girls, but during this photo shoot, I was given a makeup look and outfit that was more cutesy. That’s a side of myself I haven’t explored, and this is something that happens frequently during the many events and challenges we take on as a unit.
Q7. During the makeup shooting sessions, we were able to see very different sides of the NiziU members. Is there anything new you’ve learned about the other members recently?Miihi: Compared to how we all were when we all joined, everyone is really starting to show their true selves! We’ve so close, there’s nothing that we don’t know about each other at this point!
Q8. The Glossy Rich Eyes N products that you used this time come in a wide variety of colors, making it possible for anyone to meet their perfect shade. Speaking of ‘meetings,’ what do the members of NiziU want to meet more than anything right now?Nina: I want to meet with WithU (the name for NiziU fans). We haven’t been able to meet them face to face yet, and I hope we’re able to soon.
Information
Visée Glossy Rich Eyes N
Release Date: September 16, 2021
Features 8 shades + 2 limited edition shades
Details: https://www.kose.co.jp/visee/glossyricheyes_special/
Visée AVANT: https://www.kose.co.jp/visee/avant/
Official Site: https://www.kose.co.jp/visee/
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Bourbon’s five-episode audiobook no doubt created for its Noukou Choco Brownie snack was released as an animated TV commercial last week. The video features Japanese pop rock band Macaroni Enpitsu’s new song Tomason which was written for the commercial.
The audiobook no doubt becomes a TV commercial
The no doubt audiobook was written by the popular Japanese author Yoru Sumino who is perhaps best known for writing I Want to Eat Your Pancreas. It tells the story of two boys who are in high school. They aren’t part of an afterschool club, and they don’t have part time jobs. They come to realise that this time will be what they look back on when they grow up. The characters were designed by Itsuka, an illustrator popular online.
The commercial features the song Tomason by Macaroni Enpitsu.
“no doubt” Animated TV Commercial
“no doubt” Recording Behind The Scenes
Japanese voice actors Hiro Shimono (Attack on Titan; Demon Slayer: Kimetsu no Yaiba) and Yuki Kaji (Attack on Titan; My Hero Academia) voiced the characters in the commercial. Below is an interview with both of them on the commercial, part of which we have translated.
Hiro Shimono x Yuki Kaji Interview
A snippet of the interview, translated
Q1: How did your performances go? Tell me about your shoot.
Hiro Shimono: “The commercial portrays two boys who are neither adults nor children, so going through puberty I suppose. Their dialogue is elaborate, it was super interesting.”
Yuki Kaji: “Right up to wrapping up, the entire shoot was a lot of fun, including the intervals during our breaks.”
Q2: You both play the roles of high school boys. Tell me about a time from your youths.
Yuki Kaji: “One memory I have from school being young, which is like something out of a painting, was my time a the theatre club. You need real physical strength when it comes to acting, so before dress rehearsal, I’d run around the school building. That’s a memory that’s stuck with me. I’d change into my jersey, and go die– I mean, run to the nearby river embankment too. Being reminded of that now it’s too much like a youth film or something, it’s making me laugh <laughs>. “
Hiro Shimono: “I have a story from my youth too. It was on the day of the Culture Festival [at school]. After the festival finished, I was on my way home with some people, and there was a park with a water fountain in it. I said, ‘Well, it’s already raining, so why the hell not!’ Of course it wasn’t the thing to do, but we jumped into the water fountain and splashed about. That’s what being young is all about, right!?”
Q3: What’s your favourite Noukou Choco Brownie flavour, the regular or the rich milk?
Hiro Shimono: “Noukou Choco Brownie.”*
*Translator’s Note: Implying all of them
Yuki Kaji: “Me too! <laughs>”
Q4: Please give a message to fans.
Yuki Kaji: “I was lucky to have the opportunity to performance Yoru Sumino’s novel no doubt. I’m over the moon about it. The script was of course wonderful, and me and Shimono have known each other for a long time, so I think that comes across in the video with a pleasant atmosphere. The commercial is a youthful drama about two high school boys, and it’s linked to the bittersweetness of Noukou Choco Brownie. Be sure to tuck into one yourself while you listen to the story.”
Hiro Shimono: “[The commercial’s characters] Igarashi and Imai have a great conversation, and getting to do it with Kaji was a lot of fun. It made me think we’ve always had that kind of vibe with each other. Noukou Choco Brownie is the keyword, so please be sure to check out the audiobook to see how it plays its part.”
no doubt Synopsis
One day, high schooler Imai skips school by feigning illness. He is at home in his room, when all of a sudden another boy from his class, Igarashi, comes to visit him. He has the handouts to give to Imai from class, but the high school they go to doesn’t have that custom where a classmate has to give handouts to someone who’s off ill. And the two of them aren’t that class where Igarashi would suddenly pop to see Imai like that. Imai finds it suspicious. Igarashi is interested in the clay work Imai has in his room. Both of them have some free time, so begin to make a town together out of clay.
Information
Noukou Choco Brownie TV Commercial
Initial Broadcast: April 13, 2021 (Japan)
Bourbon Official YouTube Channel: https://www.youtube.com/channel/UC8UW0OHgo_FtkF4orKd2S4Q
Bourbon Official Website: https://www.bourbon.co.jp/chocobrownie/
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Ohashi Trio released a music video on his YouTube channel on Tuesday (February 16) for Milk and Sugar duet with Mone Kamishiraishi. The song is taken from his upcoming new album NEW WORLD which is set to drop on March 3, 2021.
Ohashi Trio – “Milk and Sugar duet with Mone Kamishiraishi” Official Music Video
Ohashi Trio – “NEW WORLD”
Ohashi Trio and Mone Kamishiraishi in the recording booth
The music video features the actual footage of Ohashi and Kamishiraishi recording their respective vocal sections for the duet. We get to see the two artists’ faces in a more relaxed and natural environment. It’s also layered with cute animated illustrations and artwork which express the content of the lyrics. The song is a refreshing, up-tempo number that captures the beauty of both singers’ voices. It’s also available to listen to right now worldwide on all major music streaming and download services.
Stream & Download Here
An official interview with Ohashi Trio and Mone Kamishiraishi was also released where they talk about Kamishiraishi’s involvement on the song, both of their thoughts about it, and more. It’s a must-read for fans, and MMN Has translated it into English for our readers.
Ohashi Trio and Mone Kamishiraishi Interview
“I’d go as far as to say that breaking something down can lead to great things” (Ohashi)
──I had the opportunity to peek into your recording session not long ago, it seemed like a very positive, harmonious atmosphere.
Ohashi: Because she’s great <looks towards Kamishiraishi>. I’m usually not like this.
Kamishiraishi: <Laughs>
──I interviewed you last year where the two of you were talking about performing together, and here we are already. Could you talk again about what originally led you to working together?
Ohashi: “My first time being involved with Mone was on her album ‘note.’”
Kamishiraishi: “I was already a huge fan of his, so I thought, I’ll give it a shot, and asked him to come on board.”
Ohashi: “You make it sound like you never stood a chance <laughs>. I wrote the song ‘Little Birds’ [for the album], and at the recording session, she was really kind and said, ‘I’m a huge fan.’ I remember thinking how great of a singer she was. After that, I thought about what we could do together if I invited her on my own album. Since it was the actual writing of a song that I did for her, I made sure to respect her style, but I was inviting her to my side, so I’d go as far to say that I decided to break all of that down. I thought by doing that, it could lead to great things. So I sent her the offer. She was super busy with shooting a drama series and other stuff but she was kind enough to make time each day.”
Kamishiraishi: “Not at all. It was very kind of you.”
I thought, “Aw yeah, a challenge!” (Kamishiraishi)
──So things were broken down this time, Kamishiraishi.
Kamishiraishi: That’s what happened <laughs>. When I heard the instrumental, I thought, “Aw yeah, a challenge!” It had a kind of melody that I’d never had the chance to sing over before, same with its overall feel. It felt like a step up, like I was discovering a new way of singing, which really excited me, so I really sang my heart out prior to the recording.”
Ohashi: “You were so involved, you prepared so much despite being so busy. You’re great. Hard-working.”
Kamishiraishi: “I’m a fan, so when you release a new song, I memorise it straight away. This felt like the same thing. LIke I’m the first to hear it and learn it. So it didn’t feel like work needing to learn it, but when I first heard it, I thought, ‘He’s been kind enough to drawn attention to my new parts.’”
Ohashi: “It makes me happy hearing that.”
“I don’t think I’ve seen someone like this girl before” (Ohashi)
──What do you like about Kamishiraishi’s voice, Ohashi?
Kamishiraishi: “Thank you for asking that <said quietly to the interviewer>.”
Ohashi: “<laughs> I thought, this character is someone who puts 100% of herself into the songs she sings. And that image I had held true when I met her, plus she has real talent. Her songs are great. I thought, I don’t think I’ve seen someone like this girl before.”
Kamishiraishi: “Wow… <speechless>”
Ohashi: “It was the same during ‘Little Birds.’ She’s so busy, and yet I really got from her that she’s going all out to put her all into it. She was so quick to respond to the request too. She has real physical strength as a vocalist. There are people out there whose songs are good, but rarely do I meet someone who can adapt as well.”
Kamishiraishi: “You’re too kind. I don’t really have things said like this about me while having the opportunity to sing, so I’ll lap up everything that’s said here today and take it home with me. It will be engraved in my heart.”
Oashi: “No, no, I should be saything lots of wrong things anyway.”
“You won’t find someone like Ohashi out there even if you looked” (Kamishiraishi)
──What do you like about Ohashi’s music, Kamishiraishi?
Kamishiraishi: “First of all, I love his voice. I really like his melodies and how the instruments sound in his music too. You won’t find someone like Ohashi out there even if you looked for them.”
Ohashi: “Wow, that makes me happy.”
Kamishiraishi: “He has a warmth, sense of style, and coolness about him that you won’t find in other people. I get the feeling that you’ll find all of those things in every one of his albums, and I love that about him. He invited me to one of his shows recently. It was the first time seeing him live, and, well, he was just super cool! The show title said “Ohashi Trio Live,” but every single one of the band members there felt like one of the main cast. There were too many amazing things to see and point out, but unfortunately I don’t have enough eyes for them all <laughs>. I wanted cameras to be recording each one of their parts! It made me realise how amazing music is. It was testament to the fact that your ears can forever be happy as long as you’re listening.”
──What a great comment!
Ohashi: “You’ve conveyed everything I’ve always thought I wanted to have. I’m super happy.”
Interview/Original Text: Hiroshi Takaoka
English Translation: Joshua Kitosi-Isanga
Be sure to check out the music video for Ohashi Trio and Mone Kamishiraishi’s duet on Milk to Sugar (“Milk and Sugar”).
Information
Milk to Sugar duet with Mone Kamishiraishi
Japanese Song Title: ミルクとシュガー duet with 上白石萌音
Released: February 17, 2021 (Digitally)
Ohashi Trio Official Website: http://ohashi-trio.com/
