Upon my arrival on Thursday, November 16, I wondered if the intimate space of the Amsterdam Bar & Hall in downtown St. Paul, Minnesota would be able to contain the massive personalities of ATARASHII GAKKO! The four members never hold back–either on or off the stage, it seems–and as fans began to arrive en masse, it was clear that the Twin Cities wasn’t lacking a fanbase for the dance-vocal group currently taking the world by storm.   Just under three weeks prior, ATARASHII GAKKO! had performed for a whopping 8,000 fans at their first arena concert, held at the famed Tokyo Metropolitan Gymnasium. Now, they were preparing to walk out to a crowd of only a few hundred, most with cocktails in hand and lyrics memorized. The majority of the concertgoers seemed more than passingly familiar with the group, though a few bewildered onlookers couldn’t possibly have been prepared for what the night would bring. Needless to say, although the stage was quaint, the concert was anything but. None of the members’ usual energy had diminished, and despite this being the final stop on the U.S. portion of the tour, there wasn’t a hint of fatigue to be found during the hour-long set.   The show was sold out weeks in advance, and plenty of eager fans equipped with glowsticks and wearing the group’s signature socks rushed toward the stage to secure the best spot. Other attendees swarmed the merch booth, eager for a hoodie or bag to show their pride.   For the show to be standing room only was a boon–it’s unlikely anyone in the audience could have remained seated once the four girls appeared following the intro, quickly leading into the high-energy number Seishun wo Kirisaku Hado. Fans were instantly chanting in unison, responding eagerly as Suzuka addressed the room, her enthusiasm bordering on contagious.   Nine years after its formation, ATARASHII GAKKO! Recently announced that the group would be making its Kouhaku debut at this December’s 74th Kouhaku Uta Gassen. The New Year's Eve staple features performances from the most popular musical acts of the year, proving that the group has found its footing both domestically and abroad.   Fans swatted balloons around and jumped in time to the beat as saisyu jinrui, one of the group’s older songs, began to a sea of applause. Suzuka, Rin, Mizyu, and Kanon didn’t seem phased to hear the largely American audience singing along in Japanese, though their appreciation and joy were palpable as they moved in perfect unison. CANDY and The Edge followed, with the members taking turns asking the audience to raise their hands or clap along. Anyone who wasn’t already a fan was likely converted by the commanding energy sweeping the room, making it impossible not to move along.   During the MC portion, the members showed off their English, asking the audience “do you know Seishun?” They explained that it means “to live your life to the fullest,” and quickly invited the audience to celebrate this important idea. Throughout the show, they would often initiate a call and response, teaching those assembled a few words in Japanese and expressing their interest in returning to America for another tour in the future. Given how quickly the tickets sold out this time around, the sky’s the limit for concerts in the future. In January, ATARASHII GAKKO! will perform at Nippon Budokan for the first time, ushering in a new era of popularity for the four members. It makes me wonder what massive U.S. venues may someday play home to another of their unforgettable shows. Madison Square Garden? Radio City Music Hall? The Hollywood Bowl?   As the question “Suki?” rang out, the crowd cheered, as Suki Lie has become a fan favorite since its release earlier this year. The girl’s choreography, as usual, was a highlight of the show, with Fantastico and the Yohji Igarashi remix of Pineapple Kryptonite quickly sending the audience into a rhythmic frenzy.   Just in front of me, I watched a couple mimic the vast majority of moves in perfect unison, taking time to laugh and joke when they failed to hit the mark. That’s the essence of ATARASHII GAKKO!–fun. The group represents ‘fun’ in its purest form, asking fans to recall the freedom of youth and to reach out to grasp it one more time, without fear of failure or embarrassment. Dance as if no one is watching, sing along in a language you cannot understand, and dress up in a school uniform despite being in your upper 30s. Why not?   As expected, the entire building shook as fans marched along during the group’s newest release Tokyo Calling. It had been enough of a warm-up, and as each of the girls placed a hand behind their heads, Otona Blue, the group’s magnum opus, rang out to a sea of screams. The track has amassed an incredible response on TikTok over the past year; this, despite being released way back in 2020. ATARASHII GAKKO! performed the song on THE FIRST TAKE, with the YouTube video now sitting at 50 million views. Everyone likely woke up with a sore neck after mimicking the classic choreography during the chorus.   After the explosive energy of WOO! GO! and NAINAINAI, the girls began to say their goodbyes, asking their fans to visit Japan someday and promising to return to St. Paul sometime in the future. Exiting the stage, they returned only a few minutes later after the audience demanded an encore, this time dressed more casually and eager to chat with a few fans at the front, one of whom was holding up a skilled drawing of Suzuka. The singer accepted the gift gladly, with other fans handing bouquets to the other members. As the lights in the venue brightened, the group snapped a few photos with the audience, creating the perfect keepsake for such a perfect night.   No one wanted such an energetic time to end, and the group knew just how to bid farewell to America–with the lively rock track Free Your Mind. The venue became a sea of clapping hands, and the concert came to a close on the highest possible note.   With a performance at Kouhaku fast approaching and their first-ever Budokan show only two months away, it’s almost certain that ATARASHII GAKKO! will return to the U.S. in the future. Until then, American fans will continue to support these four powerhouses from afar, eager for the day we meet–and dance–again.   Report: Carley Garcia  

 

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Harajuku-based artist Kyary Pamyu Pamyu charmed overseas fans during her first world tour in five years. Kyary Pamyu Pamyu WORLD TOUR 2023 -POPPP- took the artist to seven cities in four countries around the world.

 

In May, Kyary began the U.S. leg of her tour, stopping in New York, Los Angeles, and Chicago with French DJ/trackmaker Moe Shop as her opening act.

 

The artist performed in Paris and London in June, along with Barcelona and Madrid for Primavera Sound 2023, one of the biggest music festivals in Europe.

NATHAN GEY – NATHAN GEY

NATHAN GEY – NATHAN GEY

 

The Cabaret Sauvage in Paris and the London Earth Hall in London were filled to the brim with local fans, eager to see Kyary Pamyu Pamyu live for the first time in years. The audience sang the popular track Cherry Bon Bon in unison, dancing along with the legendary choreography.

 

The London show featured Hannah Diamond as Kyary’s opening act. Signed to the UK label PC Music, Diamond is a leader in the HyperPop scene.

KPOP CONCERT – FANNY LE MONNIER

JAME WORLD – VANESSA LE PENNEC

 

Kyary Pamyu Pamyu, who continues to be active around the world, wowed the packed London venue with her expert dance moves and musicianship.

 

At Primavera Sound, a festival taking place over two weeks in Barcelona and Madrid, Spain, a large crowd gathered in front of the stage, instantly captivated by Kyary Pamyu Pamyu's unique style and Yasutaka Nakata’s addictive electro sound.

 

Clips of the world tour have been posted on Kyary Pamyu Pamyu's Twitter and Instagram. Also, check out the Primavera Sound playlist on Spotify.

 

On July 15, Kyary Pamyu Pamyu will perform a solo concert at the Hibiya Open Air Concert Hall, which will also mark her triumphant return to Japan following her successful world tour. The artist will also perform at several summer festivals. Audiences around the world are enthralled with the Kawaii performer, and it’s only a matter of time before she performs for global audiences yet again.

In October 2022, maid-themed rock band BAND-MAID will embark on its largest-ever U.S. tour. The girls' group has become massively popular overseas in recent years, with the total number of views on their YouTube channel surpassing 130 million. BAND-MAID’s previous four world tours have all sold out, and streaming videos of their shows have been viewed by audiences in more than 60 countries around the world.    This is the first time BAND-MAID will tour in the U.S. solo. Tickets will go on general sale tomorrow, March 3.    The tour will start with the band’s first appearance at the AFTERSHOCK Music Festival in California, which will feature many of the world’s most popular artists like KISS and Slipknot. Will you be grabbing tickets?  

Hard rock band BAND-MAID has announced their first U.S. tour in two years! After holding an acoustic online live show on Christmas Day, 2021, the band announced the 2022 U.S. tour on their official website.   BAND-MAID’s Christmas live show received a flood of comments from overseas fans and was viewed from over 50 countries around the world. In 2021, the group is making its Hollywood debut in the Netflix original movie ‘KATE.’   This will be the rock band’s first overseas tour since 2019. Their previous four world tours managed to completely sell out. The dates for the U.S. tour and other details will be announced soon, so stay tuned for more info!  

Interdisciplinary art collective teamLab is joining Light and Space artist James Turrell and British artist and stage designer Es Devlin and the opening exhibition of Superblue Miami, a new art centre in Miami, Florida, beginning on December 22, 2020.   Superblue Miami is set to open as the first experimental art centre by Superblue, a new company that looks into experimental art. Superblue will kick off its launch with Every Wall is a Door where large-scale installation art created by teamLab, James Turrell, and Es Devlin will be showcased through to 2022.  

teamLab: Between Life and Non-Life

teamLab will showcase a selection of installations themed on the concept of "Between Life and Non-Life" which looks at human and nature and the ambiguity between life and non-life.

Transcending Boundaries / Universe of Water Particles, Transcending Boundaries teamLab, 2017, Interactive Digital Installation, Sound: Hideaki Takahashi

Transcending Boundaries, A Whole Year per Hour / Flowers and People, Cannot be Controlled but Live Together - Transcending Boundaries, A Whole Year per Hour teamLab, 2017, Interactive Digital Installation, Sound: Hideaki Takahashi

"teamLab is an interdisciplinary art collective founded in 2001 in Tokyo, whose team includes several hundred specialists. At the heart of their practice lies the belief that digital art can bring people together through shared experiences. Their immersive, colourful installations fuse art and science to encourage meaningful interactions with both the work and other people. As we move around the space, our very actions—along with those of other participants—provoke flowers to bloom, waterfalls to change the course of their flow, and butterflies to twirl in the air. We are reminded that there is strength in the collective and are invited to reconnect with nature and marvel at its beauty." ーSuperblue

After announcing that she will invade the stage at Mexico's music festival VIVE LATINO2020 and America's Coachella Valley Music And Arts Festival 2020, Japanese pop princess Kyary Pamyu Pamyu has now revealed that she will conquer Los Angeles with a solo live show on April 14. The last time Kyary struck America with a solo live show was two years ago in 2018 for Kyary Pamyu Pamyu World Tour 2018 THE SPOOKY OBAKEYASHIKI -PUMPKINS STRIKE BACK-. As she previously announced that she will perform in San Francisco on April 16, this now means that two cities are scheduled for a kawaii invasion at the same time as Coachella.    Don't miss out on Kyary Pamyu Pamyu's kawaii invasions of 2020.