Up-coming diva, Yuuki, in the music duo called Young Juvenile Youth talks about developing a new field of pop music.
Young Juvenile Youth is an electronic music duo that released their songs: “Youth / A Way Out” only on an audio cassette tape and online music distribution. The song called “A Way Out” receive extensive attention by being used on the art film called “KAMUY” directed by Hiroyuki Shoda who attracted much attention outside the country with his previous film, “blind,” that was set in Neo-futuristic Tokyo.
Young Juvenile Youth’s electronic music duos that consist of Yuuki as a singer and JEMAPUR as an electronic music creator. They draw a great deal of media attention after they were chosen as one of the “NEW ARTIST Spotlight” which features new upcoming artists from all over the world on iTunes. Yuuki was chosen as only one Japanese global influencer of <Adidas original’s “Future” campaign> that launched for spring and fall seasons in 2016. We had an interview with Yuuki who is active not only in the music industry.
We asked not only about their new songs, “Youth / A Way Out”, but also how she met JEMAPUR and how she thinks about the film “KAMUY” that she also appeared in with Nijiro Murakami who is an upcoming actor.
I want to know specifics about the beginning of your music career. You were a band member before you started working as Young Juvenile Youth, right?
Yes, I was. I didn’t do that very long, but I did that when I was in Canada as a High School exchange student.
You went to high school in Canada, and went to college in US to study art after that. How did you change after you stayed went abroad?
The biggest thing was exactly language. I went back home to Japan several times while I was in school, but I started not listening to Japanese music gradually. I started buying CD’s because of the cover, and listening to acoustic and folk songs. I became into the western music more and more. I started making music not only singing, but by also playing the guitar.
How did the things you’ve learned about art in college give you influence on you music activities?
The thing that gave me influence directly on my music activities by learning art in college is nothing special. However, it was a big thing that I could spend time with people who try to work in the art industry. I was the only Japanese student in my school, so I only had American friends. And then we established the T-shirt Company with people in all different ages and majors. It was really fun to talk about something creative with these people. I had a time when I really wasn’t focusing on my school. However, I was really frustrated that I couldn’t figure out anything that I really wanted to do even when I went to study art abroad. I was tracing back the things I really like and found out that it is music. So I tried to find a job that is something to do with music. Meanwhile, I was looking for a track maker because I wanted to produce music for a female artist. And then I saw the popular video using one of JEMAPUR on YouTube. One of my friends told me that “the graphic is amazing,” but I was like “the graphic is great, but the music is fantastic! I wonder who created this.” Then I searched for it and found out that is JEMAPUR who lives in Shizuoka. If he lived in Tokyo, I was sure that someone would ask him to work with them. It might be rude, but I was attracted to the fact that he lives in local like Shizuoka.
We had an interview with him on Skype when he was living in Shizuoka. He is electronic music creator who does his music work through the internet even when living local.
Yes, then I made a contact with him and talked about the project he said “I can do anything that you order, and I’m also interested in working on something about vocal.” After that we started talking on Skype even though the project has complete.
I used to do band music. Which parts do you like about electronic music that you play with JEMAPUR as a Young Juvenile Youth?
I am not a big fan of music that has too much drum sound. I like quite music, psychedelic music as well as techno and house music that I listened to when I was staying in the US.
To talk about psychedelic folk, the rock band called Animal Collective has an electronic music element as an example.
Absolutely. I was such a big fan of Animal Collective that there was a time that I only listened to them when I was in the US. I want to make something that I can make people excited like the song called “Fireworks” they made in 2007. I might have got some influence from them.
And then, how did you start doing music with JEMAPUR?
I asked him to listen to my songs when we were keeping in touch on Skype, and one time he said “you have a good voice, so we should make a song together.” And when we met in person in Tokyo after that, we made a song the first time we met. I thought it’s going to be interesting. We started exchanging data for songs through the internet while I was in Tokyo and he was in Shizuoka. Whenever I got his tracks, I listened to them and record the melody and lyrics that I came up with on my smart phone no matter if I was on a train or bus. The recordings sometimes have traffic noises in it though. His responded to me and sent me back the idea for the sound after that. I was so impressed how smooth we could communicate. When I was in a band, I thought it was worthless to communicate with the others because it didn’t change anything. However, the communication with JEMAPUR has the magic to change things.
And you released two songs called “Anti Everything” and “More For Me, More For You.” Those two songs are closer to dance tracks than the current style of you guys’ music.
Yeah, we wanted to make vocal techno which has singing as a trial. It was first intention, and I was reserved to him and we were kind of testing each other. So we call those first two songs Young Juvenile Youth’s first generation.
The mini album called “Animation” that you guys released one year and half after that was nominated as the NEW ARTIST Spotlight on iTunes, This album has pop and minimal but deep sound of music.
Yes, we’re still developing our style of music, but I was motivated that I could feel that we established our style of music as Young Juvenile Youth by exchanging opinions about creating songs for long time. I, personally, want to make pop music more than dance music. I don’t know that people would consider me as the person to make pop music, but I always keep in mind that I am making pop music.
I think the tracks which were created by JEMAPUR are very edgy. How do you want to add pop music elements for that type of music?
I think it’s easy to recognize the element that I want to add on his music. When I am looking at abstract paintings, I always feel like they are challenging me to know the meaning of this. I am not good at that type of art that is far from reality. However, I think that surrealism art has something that is connects us to real life. That type of art captures my imagination. On the other hand, I don’t think it is art if it doesn’t capture my imagination even if it is easy to understand the meaning of that. I want to pursue something that is exquisite.
The song, Hive, from “Hive / In Blue –EP” that you released this May was more pop music.
Probably. It was the time that I started to think about how I can connect with the audiences since we started having more chance to have concerts after we released the “Animation.” So, we started to talk about making the song that everyone can get excited about at live concerts.
And you released the newest songs “Youth / A Way Out” on cassette tape and online distribution, and also released hands-on art film called “KAMUY” at the same time. Which project had started first?
“KAMUY” is first. I just got to know the director, Yukihiro Shoda, at a bar last September. I was originally a big fan of his movie, and I asked JEMAPUR to introduce me to him, because he was friends with him. And then I told him that “I want to do something with you!” I don’t usually say something like that, but I thought it is the time to tell my passion. We started to hang out then and after a while he told me “We should shoot something together. Let’s take an art film because it is boring if we just took a normal music video.” I was very happy because I really wanted to. It is the film that all the staff came up with based on Mr.Shoda’s subject.
How did Yuuki and Nijiro Murakami end up acting in this film?
Mr.Shoda asked me before telling me what kinds of things he is going to make that “You want to be in this film or just music?” And I told him “It depends on the theme of this film.” I thought about it more seriously and I thought “I absolutely want to be in this film!” and I texted him and he texted me back saying “I knew it.” Talking about Nijiro, when we were talking about whose good for the role of the solider after the film’s plot was finished. Somebody suggested Nijiro. I sent him a message on Instagram, and he said “I like the songs of Young Juvenile Youth! I’ll do anything you want. ” That’s how we ended up acting in this film.
The graphics in this film has so many new effects and techniques. What links the music of Young Juvenile Youth and the film which themed the life and death of a human being such as the setting that the survived solider who Nijiro acted in this film?
How are the film and music connected? It is hard for me to say it with words, but it is like a non-stop conversation in the process of making a story since we see the same things at the same time. Cosmic and futuristic world in this film is one of the most important elements of giving me inspirations for making music. There absolutely has a connection between this film and music.
How did you proceed making the song, “A Way Out”, which is used in “KAMUY” as a music creator?
I let Mr.Shoda listen to some demonstrations, and he chose “A Way Out.” When we were about to finish making the film, I wanted to add the element of this film to the song, so I added the last part. I also asked guitar player, Cutsign (AUDIO ACTIVE), to play in this song. We built up the song on the process of making the film.
The other song, “Youth”, which you collaborated with Eric Loops, who lives in Osaka, is pop and relaxed house music.
He has experienced helping us to make a remix version of “More For Me, More For You” in the name of Magical Mistakes. I just thought about him when we talked that it is going to be interesting if we collaborated with somebody in our new song. It became a great song that contains good things of all of me, JEMAPUR and Eric.
I feel that current Young Juvenile Youth has a style that is always challenging for new things such as the film and “Youth / A Way Out.”
Yeah, I thought that if we want to go through with the next steps, we need to do something new. We are trying to find something that fits with our style by doing so many new things including the way I sing. It is also the same way we released “Youth / A Way Out.” I was thinking that if we release a new song, we should not only release online but also some kind of analog format. And the label company suggested that “cassette tape has good sound, too.” And we ended up releasing on two formats. It is so much fun to try new things.
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Official website:http://yjymusic.com/