Upon my arrival on Thursday, November 16, I wondered if the intimate space of the Amsterdam Bar & Hall in downtown St. Paul, Minnesota would be able to contain the massive personalities of ATARASHII GAKKO! The four members never hold back–either on or off the stage, it seems–and as fans began to arrive en masse, it was clear that the Twin Cities wasn’t lacking a fanbase for the dance-vocal group currently taking the world by storm.

Just under three weeks prior, ATARASHII GAKKO! had performed for a whopping 8,000 fans at their first arena concert, held at the famed Tokyo Metropolitan Gymnasium. Now, they were preparing to walk out to a crowd of only a few hundred, most with cocktails in hand and lyrics memorized. The majority of the concertgoers seemed more than passingly familiar with the group, though a few bewildered onlookers couldn’t possibly have been prepared for what the night would bring. Needless to say, although the stage was quaint, the concert was anything but. None of the members’ usual energy had diminished, and despite this being the final stop on the U.S. portion of the tour, there wasn’t a hint of fatigue to be found during the hour-long set.

The show was sold out weeks in advance, and plenty of eager fans equipped with glowsticks and wearing the group’s signature socks rushed toward the stage to secure the best spot. Other attendees swarmed the merch booth, eager for a hoodie or bag to show their pride.

For the show to be standing room only was a boon–it’s unlikely anyone in the audience could have remained seated once the four girls appeared following the intro, quickly leading into the high-energy number Seishun wo Kirisaku Hado. Fans were instantly chanting in unison, responding eagerly as Suzuka addressed the room, her enthusiasm bordering on contagious.

Nine years after its formation, ATARASHII GAKKO! Recently announced that the group would be making its Kouhaku debut at this December’s 74th Kouhaku Uta Gassen. The New Year’s Eve staple features performances from the most popular musical acts of the year, proving that the group has found its footing both domestically and abroad.

Fans swatted balloons around and jumped in time to the beat as saisyu jinrui, one of the group’s older songs, began to a sea of applause. Suzuka, Rin, Mizyu, and Kanon didn’t seem phased to hear the largely American audience singing along in Japanese, though their appreciation and joy were palpable as they moved in perfect unison. CANDY and The Edge followed, with the members taking turns asking the audience to raise their hands or clap along. Anyone who wasn’t already a fan was likely converted by the commanding energy sweeping the room, making it impossible not to move along.

During the MC portion, the members showed off their English, asking the audience “do you know Seishun?” They explained that it means “to live your life to the fullest,” and quickly invited the audience to celebrate this important idea. Throughout the show, they would often initiate a call and response, teaching those assembled a few words in Japanese and expressing their interest in returning to America for another tour in the future. Given how quickly the tickets sold out this time around, the sky’s the limit for concerts in the future.
In January, ATARASHII GAKKO! will perform at Nippon Budokan for the first time, ushering in a new era of popularity for the four members. It makes me wonder what massive U.S. venues may someday play home to another of their unforgettable shows. Madison Square Garden? Radio City Music Hall? The Hollywood Bowl?

As the question “Suki?” rang out, the crowd cheered, as Suki Lie has become a fan favorite since its release earlier this year. The girl’s choreography, as usual, was a highlight of the show, with Fantastico and the Yohji Igarashi remix of Pineapple Kryptonite quickly sending the audience into a rhythmic frenzy.

Just in front of me, I watched a couple mimic the vast majority of moves in perfect unison, taking time to laugh and joke when they failed to hit the mark. That’s the essence of ATARASHII GAKKO!–fun. The group represents ‘fun’ in its purest form, asking fans to recall the freedom of youth and to reach out to grasp it one more time, without fear of failure or embarrassment. Dance as if no one is watching, sing along in a language you cannot understand, and dress up in a school uniform despite being in your upper 30s. Why not?

As expected, the entire building shook as fans marched along during the group’s newest release Tokyo Calling. It had been enough of a warm-up, and as each of the girls placed a hand behind their heads, Otona Blue, the group’s magnum opus, rang out to a sea of screams. The track has amassed an incredible response on TikTok over the past year; this, despite being released way back in 2020. ATARASHII GAKKO! performed the song on THE FIRST TAKE, with the YouTube video now sitting at 50 million views. Everyone likely woke up with a sore neck after mimicking the classic choreography during the chorus.

After the explosive energy of WOO! GO! and NAINAINAI, the girls began to say their goodbyes, asking their fans to visit Japan someday and promising to return to St. Paul sometime in the future. Exiting the stage, they returned only a few minutes later after the audience demanded an encore, this time dressed more casually and eager to chat with a few fans at the front, one of whom was holding up a skilled drawing of Suzuka. The singer accepted the gift gladly, with other fans handing bouquets to the other members. As the lights in the venue brightened, the group snapped a few photos with the audience, creating the perfect keepsake for such a perfect night.

No one wanted such an energetic time to end, and the group knew just how to bid farewell to America–with the lively rock track Free Your Mind. The venue became a sea of clapping hands, and the concert came to a close on the highest possible note.

With a performance at Kouhaku fast approaching and their first-ever Budokan show only two months away, it’s almost certain that ATARASHII GAKKO! will return to the U.S. in the future. Until then, American fans will continue to support these four powerhouses from afar, eager for the day we meet–and dance–again.

Report: Carley Garcia

 

USA

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Harajuku-based artist Kyary Pamyu Pamyu charmed overseas fans during her first world tour in five years. Kyary Pamyu Pamyu WORLD TOUR 2023 -POPPP- took the artist to seven cities in four countries around the world.

In May, Kyary began the U.S. leg of her tour, stopping in New York, Los Angeles, and Chicago with French DJ/trackmaker Moe Shop as her opening act.

The artist performed in Paris and London in June, along with Barcelona and Madrid for Primavera Sound 2023, one of the biggest music festivals in Europe.

NATHAN GEY – NATHAN GEY

NATHAN GEY – NATHAN GEY

The Cabaret Sauvage in Paris and the London Earth Hall in London were filled to the brim with local fans, eager to see Kyary Pamyu Pamyu live for the first time in years. The audience sang the popular track Cherry Bon Bon in unison, dancing along with the legendary choreography.

The London show featured Hannah Diamond as Kyary’s opening act. Signed to the UK label PC Music, Diamond is a leader in the HyperPop scene.

KPOP CONCERT – FANNY LE MONNIER

JAME WORLD – VANESSA LE PENNEC

Kyary Pamyu Pamyu, who continues to be active around the world, wowed the packed London venue with her expert dance moves and musicianship.

At Primavera Sound, a festival taking place over two weeks in Barcelona and Madrid, Spain, a large crowd gathered in front of the stage, instantly captivated by Kyary Pamyu Pamyu’s unique style and Yasutaka Nakata’s addictive electro sound.

Clips of the world tour have been posted on Kyary Pamyu Pamyu’s Twitter and Instagram. Also, check out the Primavera Sound playlist on Spotify.

On July 15, Kyary Pamyu Pamyu will perform a solo concert at the Hibiya Open Air Concert Hall, which will also mark her triumphant return to Japan following her successful world tour. The artist will also perform at several summer festivals. Audiences around the world are enthralled with the Kawaii performer, and it’s only a matter of time before she performs for global audiences yet again.

Starting March 4, the permanent museum teamLab Forest Fukuoka will transform its artwork into a stunning spring theme. Guests will be able to enjoy gorgeous cherry blossoms for a limited time, and starting March 24, the Catching and Collecting Forest will also be transformed in the same way.

TeamLab’s works are created in real time by procedural generation, meaning that they are always changing and evolving. Each work changes depending on the season.

▼Starting March 4

Both Shifting Valley, Living Creatures of Flowers, Symbiotic Lives – A Whole Year per Year and Animals of Flowers, Symbiotic Lives II – A Whole Year per Year are only available to see during spring. Come and see animals made entirely of cherry blossoms as they roam through the museum!

The work titled Soft Terrain in Granular Topography shows multicolored grains of light pouring from the sky, while Flutter of Butterflies, Ephemeral Life surrounds visitors with brightly colored butterflies

▼Starting March 24

In the Catching and Collecting Forest, visitors can explore with their smartphones and catch various animals made entirely of cherry blossoms.

Art collective teamLab has opened a new solo exhibition at the Kumu Art Museum in Tallinn, Estonia. One of the largest museums in all of Scandinavia, the exhibition will run through May 7, 2023, and guests can also enjoy a large amount of Estonian art from the 18th century onward. In 2008, the Kumu Art Museum won the European Museum Forum award for the Best Museum in Europe. 

teamLab – Impermanent Flowers Floating in a Continuous Sea

teamLab: Impermanent Flowers Floating in a Continuous Sea depicts flowers that are continuously growing and dying, multiplying in an eternal sea in which everything is connected. Guests can feel as though they’ve become one with the art as they stroll through the exhibition. 

 Black Waves: Immersive Mass is made up of interconnected waves. Without a beginning or an end, visitors progress through the workspace until they too are drawn into the water.

Waves in classical East Asian art are often represented by sets of lines, but these detailed waves are unique.

teamLab – Black Waves: Immersive Mass ©teamLab

In Black Waves: Immersive Mass, flowers can be seen blooming, blossoming, and seeing the end of their lives. When people touch the flowers, they wither and die.

teamLab – Proliferating Immense Life ©teamlab

The flicker of flame will welcome guests to this part of the museum. Visitors can even take the work home by approaching it with the Distributed Fire app on their smartphones. When held up to another person’s smartphone, the flames will connect and grow larger.

teamLab continues to find ways to connect people through modern experimental artworks. What will they create next?

 teamLab – Universe of Fire Particles ©teamLab

Kumu Art Museum –  Photo: Tõnu Tunnel. (Courtesy of the Art Museum of Estonia.)

Come dive into the world of teamLab in the frosty north!

The art collective TeamLab will hold the TeamLab Fukuyama Castle Festival of Light event at Fukuyama Castle in Hiroshima Prefecture from December 2, 2022 to January 29, 2023. The exhibition will transform the stone walls, the tower, and the outside of the iconic castle, which is currently celebrating its 400th anniversary. Light art will transform the space in different ways depending on the number of guests and the weather. 

In August 2022, Fukuyama Castle recieved a major restoration with iron paneling installed on the north side, the only such restorative technique used on a Japanese castle to date. As guests walk around the keep, the included musical experience will change according to your walking speed and pace.

teamLab <Castle Tower> 

The stone walls of Fukuyama Castle will depict animals shaped by flowers as they continuously die and are reborn. When guests touch the flowers, they disperse; if they continue to touch and the flowers disperse too much, the animal dies and disappears.

Built during the Edo period, the castle survived the Meiji Restoration but was damaged heavily in WWII.

teamLab <Animals of Flowers, Symbiotic Lives in the Stone Wall>

Ovoids made of light sit at the bottom of the castle. When pushed by a person or blown by the wind, these unique creations will change color and interact with the nearly ovoids, which will change to the same color and make a similar tone.

teamLab <Resisting and Resonating Ovoids on the Stones of Oblivion>

In the Sketch Generals section, visitors can draw historical warlords associated with Fukuyama Castle, including Katsunari Mineno, the first lord of the Fukuyama domain and builder of Fukuyama Castle, Nobunaga Oda, Hideyoshi Toyotomi, Nagamasa Kuroda, Ieyasu Tokugawa, and Masahiro Abe. When the generals are touched, famous quotes appear in speech bubbles!

In addition, visitors can turn their own drawings of generals into pins that they can take home as souvenirs!

teamLab <Sketch Generals>

teamLab <Sketch Factory>

Several other works will be exhibited around the castle during the event as well.

The castle tower was designated a National Treasure in the early Showa era but was destroyed by fire in an air raid during World War II. It was rebuilt in 1966. 

teamLab’s Digitized City project has become popular across the world, allowing the art collective to utilize real-world locales to display artworks without damaging or altering the location chosen.

With its lengthy history, Fukuyama Castle is a magnificent canvas, transforming as both visitors and nature interact with the lights. People, animals, nature, and art can live side by side, without boundaries. Wouldn’t you like to come to visit this winter?

teamLab <Walk, Walk, Walk -Fukuyama Castle>

©チームラボ

Art collective TeamLab has redesigned two exhibitions at Marina Bay Sands Singapore. The world’s first permanent exhibition from the creators, Future World: Where Art Meets Science, was opened in 2016 at the Museum of Art and Science. Guests can now enjoy three new works along with the Digital Light Canvas, a huge, interactive space inviting guests to share their own pieces of art.

Drawing Flight

Visitors can immerse themselves in these impressive new works while experiencing a complex, three-dimensional world. They can also create new worlds with others!

Future World

The Drawing Flight, part of the Amusement Park of the Future series, is based on the concept of co-creation, allowing visitors to not only draw an airplane that will fly but also allowing them to operate it from a pilot’s point of view using a tablet. Whether visitors draw a butterfly or a hawk, they’ll see the world from the perspective of each creature and enter a world constructed by the creature’s unique perceptions.

Aerial Climbing through a Flock of Colored Birds

In Aerial Climbing through a Flock of Colored Birds, guests are asked to perceive the world with their entire bodies. Visitors cross a space with sticks floating three-dimensionally in the air.

Autonomous Abstraction, Continuous Phenomena from the Universe to the Self

Autonomous Abstraction, Continuous Phenomena from the Universe to the Self offers a new and abstract concept. As people touch the dots, the rhythm of the dots flickers and their hue changes and disintegrates. The picture will then change dramatically, and despite these changes, the beauty remains.

Digital Light Canvas

Graffiti Nature – Red List Digital Light Canvas

Digital Light Canvas is a space consisting of a 15-meter-diameter circular link of light and a 20-meter-high cylinder of light made up of a collection of light dots.  Team Lab’s interactive artwork, which changes depending on how many people are around, is on permanent display.

Drawing Factory

By visiting the Digital Light Canvas area, guests can also enjoy the Drawing Factory, where they can turn their own drawings into pins, T-shirts, and other items!

Come fully experience this curious art exhibition!

© チームラボ

Art collective teamLab will exhibit its first NFT work, Matter is Void – Water, at teamLab Planets TOKYO DMM in Toyosu, Tokyo starting November 1, 2022. This is the collective’s first NFT work to be released through Pace Gallery’s NFT platform Pace Verso, and those interested can purchase one starting October 19 at 11:00 EST. Outside of Japan, the work will be exhibited for the first time in Paris at Paris+ par Art Basel, the world’s largest contemporary art fair, and on a giant billboard in Times Square in New York City. At teamLab Planets in Tokyo, the exhibit will be housed in an incredible immersive space. 

The Matter is Void NFT project includes seven NFT works. One of these, titled Matter is Void – Water, will be on display at teamLab Planets.

“Although only one of the seven NFTs will be for sale, anyone can download and own the overall work itself, whether or not they own the NFT. In other words, the uniqueness of the work is not conferred by the NFT, and nothing can distinguish the downloaded work.  Regardless of whether a person owns the NFT or not, it is all still authentic.

teamLab’s work is titled Matter is Void. However, owners of the NFT can change this title, and this change will be reflected in all works downloaded and owned by people around the world. Even the text on exhibition at teamLab Planets will be rewritten!

The value of the work change depending on the text added by NFT owners. If the words are valuable, more people will want to own it–if the words are nonsense or without value, no one will want it on display. This will keep people from writing something offensive or useless. Everyone will want to write something that will make the value increase. It’s all decided by the owners!

Also, even if the NFT owner reverts back to “Matter is Void” after rewriting it in other words, the words “Matter is Void” will be written with different wording.

Once the NFT is altered, it will never go back to the way it was. That makes this a more novel and exciting experience!”

Starting September 23, teamLab Forest Fukuoka will be transformed for the autumn season! The interactive digital art installation will feature animals made entirely of fall foliage, and guests can enjoy red and orange leaves fluttering through the one-of-a-kind 3D world. 

teamLab’s prolific works are known for changing with the seasons. This autumn version of the popular exhibition will only be on display for a limited time, and visitors can use their
smartphones in the Catching and Collecting Forest to catch and collect the animals on display! The forest and ocean scenery will change as you explore, and starting on September 23, the trees will begin to show off beautiful autumn colors.

In the Forest of Movement, guests can enter the ‘Shifting Valley, Living Creatures of Flowers, Symbiotic Lives’ exhibit, where creatures made of autumn flowers exist in a three-dimensional space. The space is meant to make guests think about the cycle of death and rebirth, as flowers blossom and die each and every year.

The ‘Soft Terrain and Granular Topography’ will display tons of colorful grains raining down on visitors, while the ‘Flutter of Butterflies, Ephemeral Life’ will change the usual butterflies to have autumn colors as they fly around guests. This is a kind of autumn scenery you can’t see anywhere else, so be sure to come to Fukuoka during this beautiful season!

To commemorate the 150th anniversary of the Yamanashi Sannichi Newspaper & Sannichi YBS Group, teamLab will hold a special illuminated art event on the shore of Lake Yamanaka in Yamanashi Prefecture from October 28 until November 13, 2022. Guests will be able to enjoy the Sunset Shore Autumn Leaves Festival at the same time, and at the same venue.

Autonomous Resonating Life – teamLab ©teamLab

Sketch Aquarium – teamLab ©teamLab

The works on display will be Autonomous Resonating Life and the Sketch Aquarium. In Autonomous Resonating Life, guests will wander along the shore, passing by massive colorful and glowing ovoids being pushed and pulled by the wind. When there is no wind, and when no one is touching the ovoids, they will begin to slowly blink.

The Sketch Aquarium invites visitors to color a drawing of a sea creature. Once finished, these creations will come to life in a giant virtual aquarium, swimming together with other creations. Visitors can touch the fish to see them swim away, or can touch a virtual food bag to feed them!

The long-running teamLab Borderless exhibition at the Mori Building Digital Art Museum in Odaiba, Tokyo will close on August 31, 2022. It has now been announced that the exhibition will be moving to the Toranomon-Azabudai Project, which is scheduled to be completed and opened in 2023. The new location will further evolve the teamLab Borderless concepts of space, exploration, and discovery.

teamLab Borderless at Toranomon-Azabudai Project in Tokyo ©teamLab

teamLab Borderless opened in Odaiba in June 2018, and was called a ‘museum without a map.’ In its first year, the museum welcomed 2.3 million visitors, the largest number of visitors for a single artist’s museum in the world. Visitors from more than 160 countries and regions around the world came to explore the unique location, and the museum has received numerous national and international awards, including being named one of the World’s Greatest Places 2019 by Time Magazine and receiving a Thea Award for Outstanding Achievement at the 25th Annual Thea Awards.

teamLab Borderless also opened a location in Shanghai in 2019. Future openings are planned for Hamburg and Jeddah.

Art collective teamLab will hold a solo exhibition at Pace Gallery in Seoul from September 2 until October 29, 2022. Titled ‘teamLab: Massless Suns,’ the exhibition will mark the opening of the expanded gallery space at the internationally-recognized art landmark. The collective will also be unveiling a new work, Massless Suns and Dark Spheres, in which countless light and dark objects without boundaries fill the space around guests.

Massless Suns and Dark Spheres

Dissipative Figures – Human

Dissipative Figures – 1000 Birds

As visitors stare into the strange balls of light and darkness, it will seem as though the space around them is warped. If you reach out to try to touch the light spheres, they will shine brighter, and the orbs around them will respond in succession. The work questions the nature of existence and relies entirely on visitor perception.

Continuous Life and Death at Now of Eternity II

Waves of Light

Resonating Microcosms – Solidified Light Color, Sunrise and Sunset

In March, the Pace Gallery opened a new exhibition space dedicated to experimental and immersive interactive works. Those familiar with teamLab will recognize some of their most popular works appearing during the exhibition, including the Dissipative Figures series and Waves of Light. 

In the newly-opened outdoor courtyard, the work ‘Resonating Microcosms – Solidified Light Color, Sunrise and Sunset’ will be on display, constantly transforming due to wind and rain, as well as influence from guests. A new concept work, ‘Solidified Light Color,’ will shine with 61 colors, inviting the environment and visitors to become a part of the art itself.

 © チームラボ

Art collective teamLab will open a permanent nighttime exhibition at the Nagai Botanical Garden in Osaka starting July 29, 2022. On-site video footage shows off several new works, such as Sculptures of Dissipative Birds in the Wind, a digital work impacted by the environment. Birds flying around the work and the wind’s strength impact how the art moves.

Life is Flickering Light Floating in Darkness – Sunflowers

In summer, 20,000 sunflowers bloom in the Life Garden, where seasonal flowers are transformed into an interactive space filled with illumination. This was opened to the public for a limited time to celebrate the exhibition’s opening and will be open until August 5.

The Nagai Botanical Garden covers 240,000 square meters and is home to roughly 1,200 species of plants. teamLab has transformed the space, with the digital art pieces changing according to the behavior of guests. 

In the future, teamLab plans to introduce seasonal works, making use of plants that bloom in spring, summer, fall, and winter.

Resonating Microcosms in the Common Camellia Garden – Liquified Light Color, Sunrise and Sunset

Floating Resonating Lamps on Oike Lake

teamLab’s art project Digitized Nature explores how nature can become art. The concept of the project is that non-material digital technology can turn nature into art without harming it.

Field of Light Color – Muhlenbergia Capillaris

teamLab Botanical Garden Osaka is a botanical garden by day and an art space by night. The art space transforms interactively, influenced by wind and rain, as well as by the behavior of the people and birds in it. People become a part of the artworks along with nature, and a part of the long continuity of time. The artworks, people, and nature; the self and others; the past, present, and future; all form a continuity without boundaries.

Come soothe your soul in the heart of Osaka.

©チームラボ